Murder Jungjin Lee and the environments in which

and the environments in which they live

Homma photographs the effects – the red vestiges of wild life in the snow

Paris as a French language supplement and addition to her book The Land in Between (MACK

a man dutifully cleans a white picket fence – a vision that belies a local mural of a distant

they are merely props in an examination of how objects and nature create dialogues within the communities they encompass

Murder Jungjin Lee and the environments in whichThe genesis of Guillaume Simoneaus new book, Murder, is in spring 1982. At around the same time Masahisa Fukase was producing his post war masterpiece Karasu (Ravens), Simoneaus family adopted a nest full of baby crows orphaned from a fallen tree. The photographs from this time, taken by Simoneaus mother, paint an unusual and lyrical vision of childhood. Nearly forty years later, these moments are memorialised in dialogue with Simoneaus new works,