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Thoughts on the Sound of 253 Barton Fink 21 Dense Clarity/Clear Density 259 Encoded and Embodied Sound and the Rule of Two and a Half 22 Dense Clarity: Further Thoughts 273 Dramatic Polyphony 23 Youll Never Work in This Town Again 281 And Other Studio Follies 24 Duality of the Soul 287 Mysteries of Narration and Dialogue Replacement 25 The Many Lives of Sound Effect 9413 A Hollywood Sound Effect Goes Back to Nebraska 314 conte nts 26 Valkyries in Crisis ix 321 Decca vs Zoetrope 27 The Goddess Echo 327 An Experiment in Acoustics 28 Thats My Squeak! 336 The First Sampling Lawsuit and a Long-Delayed Apology 29 Manhattan Symphony 340 Redeem Us from the Chaos of Shapeless Noise 30 The Slope 345 Coming Back to Earth After a Long Project The Shape of Things to Come 351 Acknowledgements 352 Index 354 INTRODUCTION In late June of 1896 the Lumire brothers brought their cinmatographe and reels of moving photographs to Nizhny Novgorod, 400 km east of Moscow